The Courage to Be Disliked Review: Adler’s Radical Freedom

The Courage to Be Disliked by Ichiro Kishimi and Fumitake Koga

Author: Ichiro Kishimi and Fumitake Koga · Published: 2013 · Genre: Self-Help, Psychology · Original title: Kirawareru Yūki

The Courage to Be Disliked is a short, argumentative introduction to the ideas of Alfred Adler, the Austrian psychiatrist who broke with Freud. Its message is that you are not trapped by your past or by other people’s opinions, and that real freedom means accepting that some people will dislike you. It’s one of the few self-help books that can change how you think, as long as you argue back as hard as it argues with you. Best for chronic people-pleasers and readers who enjoy philosophy.

The Courage to Be Disliked by Ichiro Kishimi and Fumitake Koga
Photo by Kristian Bjornard via Flickr, CC BY-SA 2.0, cropped

What it’s about

The book is a dialogue, spread over five nights, between a philosopher and an angry, skeptical young man who has come to prove him wrong. Kishimi is a philosopher who has spent decades translating and teaching Adler; Koga is a professional writer.

The core claims come fast. First, the past doesn’t determine the present. The philosopher argues that we create emotions and circumstances to serve present goals: a young man who shuts himself in his room, for example, generates anxiety so that he doesn’t have to go out, not the other way round.

Second, all problems are interpersonal relationship problems. Third comes the “separation of tasks.” Ask who ultimately bears the consequences of a choice, and you’ll know whose task it is. Then stop interfering in other people’s tasks, and stop letting them interfere in yours. How others judge you is their task, not yours. The philosopher adds that chasing recognition means living to satisfy other people’s expectations, which is where the title comes from: freedom has a price, and part of it is being disliked.

The later nights build toward “community feeling,” the sense that you belong and contribute, and toward living fully in the present rather than treating life as a line toward some distant goal.

What works

  • The dialogue format. The youth voices the objections a reader would raise, often rudely, so ideas are tested rather than simply asserted.
  • Separation of tasks is genuinely useful. For parents, managers and people-pleasers, it offers a clear way to stop carrying responsibility for other people’s choices while still caring about them.
  • It rethinks praise. As presented here, Adler rejects both praise and rebuke, because both set up a vertical relationship between judge and judged. The suggestion to thank people rather than praise them is small, concrete and surprisingly powerful.
  • It’s liberating. The idea that you don’t have to earn your worth through other people’s approval hits hard for anyone raised on performance and grades.

What doesn’t

The most provocative claim, that trauma in the Freudian sense doesn’t exist, is where many readers balk. The book means that we are shaped not by experiences but by the meaning we give them. That’s a hopeful idea, but it’s stated with more certainty than the evidence supports, and it clashes with a large body of modern research on the lasting effects of trauma. To someone dealing with serious abuse or PTSD, it could sound dismissive.

The youth also drifts into a straw man. He storms, concedes, storms again, and the philosopher wins every exchange. Some sections repeat the same points, and the translation can feel stiff in places.

The practical guidance is also thin. The book tells you to stop seeking approval and to contribute to others, but offers few concrete steps for doing either.

Finally, this is Adler filtered through two authors’ interpretation. It’s a popular introduction, not a balanced account of his work or of modern psychology.

Who should read it

Read it if you’re exhausted by seeking approval, or if you like philosophy served as a debate. If you’re working through serious trauma, treat its sharpest claims as a provocation to discuss with a professional, not as a prescription.

Rating: 4/5

Photo credits — Featured image: Photo by aboodi vesakaran on Pexels. In-article photo: Photo by Kristian Bjornard via Flickr, CC BY-SA 2.0, cropped.